sarangi.info

1. 8
   Akbar says:
   November 13th, 2007 at 7:56 pm

   sir,

   i have no words to thank you. i cannot explain how much i am enjoying this site. i have just one request: please try to include more thumries.

   thanks

   akbar

2. 7
   A_Final_Desperate_Khwaish says:
   November 13th, 2007 at 12:46 am

   Dear Taimur or Nampreet,

   Can you please make this video available either on YouTube or preferably in MP3 audio format. As I have suggested in the past, I really love this recording and I do not like the interface of site it is currently on.

   I would hate for it to disappear some day randomly. If there are no copyright issues, please, please make this recording available in downloadable format in the Salamat Ali Khansahib section of sarangi.info

   Very very much your shukurguzaar!

3. 6
   siyar says:
   October 4th, 2007 at 5:34 pm

   Let’s not forget that Ustad Amir Khan was also fond of inserting a Persian couplet in flow of his taranas.

4. 5
   AchiRaagdariKa_Katirdhaan says:
   October 3rd, 2007 at 11:27 pm

   Can it not be possible Taimur for you to put this recording into mp3 format and in the Salamat Ali Khan section of recordings? It would be a shame to lose this ethereal sound once more to a proprietary mechanism.

   Please?

   Shukriya.

5. 4
   Nikhil Sahasrabhojanee says:
   October 2nd, 2007 at 10:37 pm

   I think Ustad Zakir Hussain acconpanied in Parajbhairavi by Vasantrao Deshpande

6. 3
   Kaushal Soni says:
   October 1st, 2007 at 9:30 pm

   Ustad Salamat Ali Khan and Ustad Bade Ghulam Ali Khan were the Singers of the Century.

   Shaukat’s comment about the Persian Poetry renderings has compelled me to explain this phenomen.

   Persian Couplets are sung in the Tarana format of the Raag. First is the
   Vilambit (Slow) followed by the Drut (Fast) and then comes the Tarana (Superfast). This format was added by Hazrat Khwaja Amir Khusro in the rendition of the Raag and the Persian Couplets are all that of Hazrat Khwaja Amir Khusro. Mostly the Trana Bandish were composed by Hazrat Khwaja Amir Khusro and then only these two singers composed their own Taranas of different Raags. There is lot more on this but may create controversies and I do not want that. Suffice to say that other singers do use Persian Couplets but these are only sung in the Tarana Format at the end of the rendering.

7. 2
   Shaukat Hussain says:
   September 30th, 2007 at 11:43 pm

   Enough has been said about Ustad Salamat Ali Khansahib. He was simply one of the elite Classical vocalists of our time. I am particularly impressed by Khansahib’s Persian poetry additions to his renderings towards the end of a Raag. He was the only Classical singer of our era who had done this. His taans were and still are unmatchable, and don’t belong to this world. A very well-sung Gorakh Kalyan.

8. 1
   Freek Reijmerink says:
   September 30th, 2007 at 3:15 pm

   Dear
   As a radioprogram maker in The Netherlands for the Concertzender I enjoyed your latest video very much.

   My compliments

   Freek Reijmerink

Leave a Reply

Name (required)

Mail (will not be published) (required)

Website